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Thursday, May 17, 2012


Base ball card collecting since 1981 from wikipedia.

Fleer sued Topps in 1975 to break Topps' monopoly on baseball cards and won. In 1981, Fleer and Donruss issued baseball card sets, both with gum. An appeal of the Fleer lawsuit by Topps clarified that Topps' exclusive rights only applied to cards sold with gum.[28] After the appeal, Fleer and Donruss continued to produce cards issued without gum; Fleer included team logo stickers with their card packs, while Donruss introduced "Hall of Fame Diamond Kings" puzzles and included three puzzle pieces in each pack.

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In 1992, Topps' gum and Fleer's logo stickers were discontinued, with Donruss discontinuing the puzzle piece inserts the following year.[29] With the issuance of a very popular and rare (compared to other sets at the time) set in 1984, Donruss began to take hold as one of the most popular card brands in competition with Topps. In particular, several rookie cards in the 1984 Donruss set are still considered the most desirable cards from that year of any brand (especially the Don Mattingly rookie card). Also in 1984, two monthly price guidescame on the scene. Tuff Stuff and Beckett Baseball Card Monthly, published by Dr. James Beckett, attempted to track the approximate market value of several types of trading cards.

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More collectors entered the hobby during the 1980s. As a result, manufacturers such as Score (which later became Pinnacle Brands) and Upper Deck entered the marketplace in 1988 and 1989 respectively. Upper Deck introduced several innovative production methods including tamper-proof foil packaging, hologram-style logos, and higher quality card stock. This style of production allowed Upper Deck to charge a premium for its product, becoming the first mainstream baseball card product to have a suggested retail price of 99 cents per pack. In 1989, Upper Deck's first set included the Ken Griffey, Jr. rookie card. The card became highly sought-after until Griffey's persistent injury troubles caused his performance level to decline.[29] The other major card companies followed suit and created card brands with higher price points. Topps resurrected the Bowman brand name in 1989.

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Topps produced a Stadium Club issue in 1991. 1992 proved to be a breakthrough year as far as the price of baseball cards was concerned, with the previous 50-cents per pack price being replaced by higher price points, overall higher-grade cardboard stock, and the widespread introduction of limited edition "inserts" across all product lines. 1992 was the beginning of the collectors' chase for "gold foil," which was commonly stamped on the limited edition "insert" cards. Notable examples from 1992's "insert" craze include Donruss Diamond Kings, which included gold-foil accents for the first time ever, and Fleer's host of gold foil-accented "insert" cards, including All-Stars and Rookie Sensations. 1992 was also the first year that "parallel" cards were introduced. In 1992, Topps produced Topps Gold "insert" cards of each card in the standard base set. The "parallel" Topps Gold cards had the player's name and team stamped in a banner of "gold foil" on the card front. The "parallel" moniker became popular to describe these cards because each and every card in the standard base set had an accompanying "insert" variation. In 1993, the card companies stepped up the "premium" card genre with "super premium" card sets, with Fleer debuting its "Flair" set and Topps debuting its "Topps Finest" set. Topps Finest was the first set to utilize refractors, a technology that utilized a reflective foil technology that gave the card a shiny "rainbow" appearance that proved extremely popular among hobbyists. Other notable "premium" card sets from the 1990s are as follows: Donruss issued its Leaf brand in 1990; Fleer followed with Fleer Ultra sets in 1991; and Score issued Pinnacle brand cards in 1992.

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Starting in 1997 with Upper Deck, companies began inserting cards with swatches of uniforms and pieces of game-used baseball equipment as part of a plan to generate interest. Card companies obtained all manner of memorabilia, from uniform jerseys and pants, to bats, gloves, caps, and even bases and defunct stadium seats to feed this new hobby demand. It is also in 1997 that the first "one-of-one" cards were released by Fleer, beginning with the 1997 Flair Showcase "Masterpieces" Both kinds of inserts remain popular staples in the hobby today.

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The process and cost of multi-tiered printings, monthly set issues, licensing fees, and player-spokesman contracts made for a difficult market. Pinnacle Brands folded after 1998. Pacific, which acquired full licensing in 1994, ceased production in 2001. In 2005, Fleer went bankrupt and was bought out by Upper Deck, and Donruss lost the MLB license in 2006 (they also did not produce baseball cards in 1999 and 2000). At that time, the MLBPA limited the number of companies that would produce baseball cards to offset the glut in product, and to consolidate the market. As a result of the measure that included revoking the MLB/MLBPA production licenses from Donruss, only two companies remained; Topps and Upper Deck.

Also, since the late 1990s, hobby retail shops and trade-show dealers found their customer base declining, with their buyers now having access to more items and better prices on the Internet. As more collectors and dealers purchased computers and began trusting the Internet as a "safe" venue to buy and sell, the transformation from the traditional retail shops and shows to Internet transactions changed the nature of the hobby.


During the same time period, MLBPA also introduced a new guideline for players to attain a rookie card. For years, players had been highlighted in previous sets as a rookie while still in the Minor Leagues. Such players would sometimes remain in the Minor Leagues for considerable time before attaining Major League status, making a player's rookie card released years before their first game as a major leaguer. The new guideline requires players to be part of the a Major League team roster before a rookie card would be released in their name, and a designated "rookie card" logo printed on the face of the card. The rookie card logo shows the words "rookie card" over a baseball bat and home plate with the Major League Baseball logo in the top left corner.

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Topps and Upper Deck are the only two companies that retained production licenses for baseball cards of major league players. In a move to expand their market influence, Upper Deck purchased the Fleer brand and the remnants of its production inventory. After purchasing Fleer, Upper Deck took over production of the remaining products that were slated to be released. Upper Deck continues to issue products with the Fleer name, while Topps continues to release Bowman and Bazooka card products. Topps is also the only company that continues to produce pre-collated factory sets of cards.
Card companies are trying to maintain a sizable hobby base in a variety of ways. Especially prominent is a focus on transitioning the cards to an online market. Both Topps and Upper Deck have issued cards that require online registration, while Topps has targeted the investment-minded collector with its eTopps offering of cards that are maintained and traded at its website.

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Baseball cards garnered national media attention again in early 2007, when it was found that Topps' new Derek Jeter card had allegedly been altered just prior to final printing. A reported prankster inside the company had inserted a photo of Mickey Mantle into the Yankees' dugout and another showing a smiling President George W. Bush waving from the stands. Topps Spokesman Clay Luraschi later admitted that it was done on purpose by the Topps creative department.
In February 2007, the hobby's most expensive card, a near mint-mint professionally graded and authenticated T206 Honus Wagner, was sold to a private collector for $2.35 million. The card was sold again later that same year for a record-setting $2.8 million.




Friday, April 27, 2012

wiki excerpt 3


White balance on digital cameras, electronic compensation for the color temperature associated with a given set of lighting conditions, ensuring that white light is registered as such on the imaging chip and therefore that the colors in the frame will appear natural. On mechanical, film-based cameras, this function is served by the operator's choice of film stock or with color correction filters. In addition to using white balance to register natural coloration of the image, photographers may employ white balance to aesthetic end, for example white balancing to a blue object in order to obtain a warm color temperature.

Metering is the measurement of exposure so that highlights and shadows are exposed according to the photographer's wishes. Many modern cameras meter and set exposure automatically. Before automatic exposure, correct exposure was accomplished with the use of a separate light metering device or by the photographer's knowledge and experience of gauging correct settings. To translate the amount of light into a usable aperture and shutter speed, the meter needs to adjust for the sensitivity of the film or sensor to light. This is done by setting the "film speed" or ISO sensitivity into the meter.

ISO speed was traditionally used to "tell the camera" the film speed of the selected film on film cameras, ISO speeds are employed on modern digital cameras as an indication of the system's gain from light to numerical output and to control the automatic exposure system. The higher the ISO number the greater the film sensitivity to light, whereas with a lower ISO number, the film is less sensitive to light. A correct combination of ISO speed, aperture, and shutter speed leads to an image that is neither too dark nor too light, hence it is 'correctly exposed', indicated by a centered meter.

Autofocus point On some cameras, the selection of a point in the imaging frame upon which the auto-focus system will attempt to focus. Many Single-lens reflex cameras (SLR) feature multiple auto-focus points in the viewfinder.

Thursday, April 26, 2012

An Except from wikipedia part 2

The movie camera is a type of photographic camera which takes a rapid sequence of photographs on strips of film. In contrast to a still camera, which captures a single snapshot at a time, the movie camera takes a series of images, each called a "frame". This is accomplished through an intermittent mechanism. The frames are later played back in a movie projector at a specific speed, called the "frame rate" (number of frames per second). While viewing, a person's eyes and brain merge the separate pictures together to create the illusion of motion.

In all but certain specialized cameras, the process of obtaining a usable exposure must involve the use, manually or automatically, of a few controls to ensure the photograph is clear, sharp and well illuminated. The controls usually include but are not limited to the following:

Focus The position of a viewed object or the adjustment of an optical device necessary to produce a clear image: in focus; out of focus. http://ilab.usc.edu/cgi-bin/yabb/YaBB.pl?board=;action=profile2

Aperture is the adjustment of the lens opening, measured as f-number, which controls the amount of light passing through the lens. Aperture also has an effect on depth of field and diffraction – the higher the f-number, the smaller the opening, the less light, the greater the depth of field, and the more the diffraction blur. The focal length divided by the f-number gives the effective aperture diameter.

Shutter speed Adjustment of the speed (often expressed either as fractions of seconds or as an angle, with mechanical shutters) of the shutter to control the amount of time during which the imaging medium is exposed to light for each exposure. Shutter speed may be used to control the amount of light striking the image plane; 'faster' shutter speeds (that is, those of shorter duration) decrease both the amount of light and the amount of image blurring from motion of the subject and/or camera.


Monday, April 16, 2012

An except from Wikipedia part 1.

This blog is more for link building and seo purposes now. Visit my new blog.


This verbiage was taken from wikipedia. It describes photography
http://en.wikipedia.org/wiki/Photography

The camera is the image-forming device, and photographic film or a silicon electronic image sensor is the sensing medium. The respective recording medium can be the film itself, or a digital electronic or magnetic memory.

Photographers control the camera and lens to "expose" the light recording material like film to the required amount of light to form a "latent image" (on film) or "raw file" (in digital cameras) which, after appropriate processing, is converted to a usable image. Digital cameras use an electronic image sensor based on light-sensitive electronics such as charge-coupled device (CCD) or complementary metal-oxide-semiconductor CMOS technology. The resulting digital image is stored electronically, but can be reproduced on paper or film.

The camera (or 'camera obscura') is a dark room or chamber from which, as far as possible, all light is excluded except the light that forms the image. The subject being photographed, however, must be illuminated. Cameras can range from small to very large, a whole room that is kept dark while the object to be photographed is in another room where it is properly illuminated. This was common for reproduction photography of flat copy when large film negatives were used. A general principle known from the birth of photography is that the smaller the camera, the brighter the image. This meant that as soon as photographic materials became sensitive enough (fast enough) to take candid or what were called genre pictures, small detective cameras were used, some of them disguised as a tie pin that was really a lens, as a piece of luggage or even a pocket watch for example the Ticka camera.


The discovery of the camera obscura that provides an image of a scene is very old, dating back to ancient China. Leonardo da Vinci mentions natural camera obscuras that are formed by dark caves on the edge of a sunlit valley. A hole in the cave wall will act as a pinhole camera and project a laterally reversed, upside down image on a piece of paper. So the invention of photography was really concerned with finding a means to fix and retain the image in the camera obscura. This in fact occurred first using the reproduction of images without a camera when Josiah Wedgewood, from the famous family of potters, obtained copies of paintings on leather using silver salts. As he had no way of fixing them, that is to say to stabilize the image by washing out the non-exposed silver salts, they turned completely black in the light and had to be kept in a dark room for viewing. Two Links: http://www.lookuppage.com/users/darrenkelm/, http://drreklm34.wikizones.com/Main_Page

Renaissance painters used the camera obscura which, in fact, gives the optical rendering in color that dominates Western Art. The camera obscura literally means dark chamber in Latin. It is a box with a hole in it which allows light to go through and create an image onto the piece of paper.